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Iconoclasm as Discourse: From Antiquity to Byzantium
Elsner, Jaś
The Art bulletin (New York, N.Y.), 2012-09, Vol.94 (3), p.368-394
[Peer Reviewed Journal]
New York: Taylor & Francis
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Title:
Iconoclasm as Discourse: From Antiquity to Byzantium
Author:
Elsner, Jaś
Subjects:
Antiquity
;
Art criticism
;
Art history
;
Articulation
;
Byzantine civilization
;
Christianity
;
Churches
;
Cultural change
;
Divinity
;
Emperors
;
Epistemology
;
Historiography
;
Iconoclasm
;
Middle Ages
;
Persuasion
;
Political discourse
;
Religion
;
Religious icons
;
Theology
Is Part Of:
The Art bulletin (New York, N.Y.), 2012-09, Vol.94 (3), p.368-394
Notes:
ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 23
Description:
Iconoclasm was an attack on the real presence of the depicted prototype through assault on the image. Iconophile and iconoclast thinkers in the eighth century, for the first time, considered the image entirely as representation. A transformative moment in the discourse of images, it liberated the image from an emphasis on ontology to place it in an epistemological relation to its referent. The impulse to rethink the meanings of images emerged from debates within pre-Christian culture, between Christians and pagans, and between Christians, Jews, and Muslims, deeply influencing the understanding of images in the later Middle Ages and the Reformation.
Publisher:
New York: Taylor & Francis
Language:
English
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