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That's the Beauty of It, Or, Why John Ashbery is Not a Painter
Lunberry, Clark D
Journal of modern literature, 2011-06, Vol.34 (4), p.172-184
[Periódico revisado por pares]
Bloomington: Indiana University Press
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Título:
That's the Beauty of It, Or, Why John Ashbery is Not a Painter
Autor:
Lunberry, Clark D
Assuntos:
1900-1999
;
1927-2017
;
20th century
;
Abstract Art
;
abstraction
;
Abstraction in literature
;
American literature
;
Art and literature
;
Art Criticism
;
Art exhibitions
;
Ashbery, John
;
Ashbery, John Lawrence
;
Ashbery, John, 1927
;
Authors
;
Bloom, Harold (1930-2019)
;
Criticism and interpretation
;
English Literature
;
France
;
History
;
History and criticism
;
Influence
;
landscape
;
Literary criticism
;
Literary studies
;
Mitchell, Joan
;
Mitchell, Joan, 1926-1992
;
Modern literature
;
New York School poets
;
Optical reflection
;
Painters
;
Painters (Artists)
;
Paints
;
Poetry
;
Poetry, Modern
;
Poets
;
prose
;
Reading
;
Representation
;
Sources
;
Stein, Gertrude
;
Stein, Gertrude (1874-1946)
;
Twentieth Century
;
Words
;
Writing
É parte de:
Journal of modern literature, 2011-06, Vol.34 (4), p.172-184
Descrição:
The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more "““abstract"”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). My contention is that Ashbery was in many ways emboldened by Mitchell's complex engagements with representation and abstraction, especially as they relate to the landscape. Ashbery was, through his close examination of such work, moved towards ever greater poetic and linguistic experimentations of his own.
Editor:
Bloomington: Indiana University Press
Idioma:
Inglês
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