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Contemporary musical logos

William Teixeira Sílvio Ferraz

International Review of the Aesthetics and Sociology of Music Zagreb v. 52, n. 2, p.173-201, dec. 2021

Acesso online

Título:
Contemporary musical logos
Autor: William Teixeira
Sílvio Ferraz
Assuntos: FILOSOFIA DA MÚSICA; MÚSICA CONTEMPORÂNEA; INTERPRETAÇÃO MUSICAL; LÓGICA; Contemporary Music; Musical Performance; Philosophy And Music
É parte de: International Review of the Aesthetics and Sociology of Music Zagreb v. 52, n. 2, p.173-201, dec. 2021
Notas: Disponível em: https://www.jstor.org/stable/48640861. Acesso em: 03 ago. 2022
Descrição: This essay explores the meanings of logos, that is, the logical aspects of music. The discussion is divided into three main categories: the definition of music, the definition of musical discourse, and the definition of musical mean ing. The combination of the three results in the general definition of what we understand as contemporary musical logos, fitting, therefore, the current status of the concept in philosophy (represented by philosophers such as Gilles Deleuze, Nicholas Wolterstorff, and Michael Polanyi) and music (especially musicology and musical composition). The main conclusion is that the logical aspect of music cannot be known today without an indepth analysis of its consequences in performance, as an intrinsic component of its concept
Editor: Zagreb
Data de criação/publicação: 2021
Formato: p. 173-201.
Idioma: Inglês

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