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Neo-avantgarde and culture industry essays on European and American art from 1955 to 1975

Benjamin H. D. Buchloh

Cambridge, Mass MIT Press London 2000

Localização: MAC - Museu de Arte Contemporânea  BIBLIOTECA WALTER ZANINI  (BWZ 709.04 B919n )(Acessar)

  • Título:
    Neo-avantgarde and culture industry essays on European and American art from 1955 to 1975
  • Autor: Benjamin H. D. Buchloh
  • Assuntos: ESTÉTICA (ARTE); INDÚSTRIA CULTURAL; AVANT-GARDE; ARTE MODERNA -- SÉCULO 20 -- EUROPA; ARTE MODERNA -- SÉCULO 20 -- ESTADOS UNIDOS
  • Notas: Includes bibliographical references and index
  • Notas Locais: Exemplar pertencente à Biblioteca Walter Zanini (Biblioteca MAC USP)
  • Descrição: Michael Asher and the conclusion of modernist sculpture (1980) -- Beuys : the twilight of the idol, preliminary notes for a critique (1980) -- Marcel Broodthaers : open letters, industrial poems (1987) -- The museum and the monument : Daniel Buren's Les Couleurs / Les Formes (1981) -- Memory lessons and history tableaux : James Coleman's archaeology of spectacle (1995) -- Monuments of history in the work of Dan Graham (1978) -- Hans Haacke : memory and instrumental reason (1988) -- Hantaï/Villeglé and the dialectics of painting's dispersal (1999) -- Plenty or nothing : from Yves Klein's Le Vide to Arman's Le Plein (1998) -- Knight's moves : situating the art/object (1986) -- Structure, sign, and reference in the work of David Lamelas (1997) -- Parody and appropriation in Francis Picabia, Pop, and Sigmar Polke (1982) -- Readymade, photography, and painting in the painting of Gerhard Richter (1977) -- Process sculpture and film in Richard Serra's work (1978) -- Spero's other traditions (1996) -- Villeglé : from fragment to detail (1991) -- Andy Warhol's one-dimensional art, 1956-1966 (1989) -- Robert Watts : animate objects, inanimate subjects (2000) -- The posters of Lawrence Weiner (1986)
  • Editor: Cambridge, Mass MIT Press London
  • Data de criação/publicação: 2000
  • Formato: 592 p ill 23 cm.
  • Idioma: Inglês

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