skip to main content
Visitante
Meu Espaço
Minha Conta
Sair
Identificação
This feature requires javascript
Tags
Revistas Eletrônicas (eJournals)
Livros Eletrônicos (eBooks)
Bases de Dados
Bibliotecas USP
Ajuda
Ajuda
Idioma:
Inglês
Espanhol
Português
This feature required javascript
This feature requires javascript
Primo Search
Busca Geral
Busca Geral
Acervo Físico
Acervo Físico
Produção Intelectual da USP
Produção USP
Search For:
Clear Search Box
Search in:
Busca Geral
Or select another collection:
Search in:
Busca Geral
Busca Avançada
Busca por Índices
This feature requires javascript
This feature requires javascript
Putrefaction as Optical Technology
Chico, Tita
Configurations (Baltimore, Md.), 2017-03, Vol.25 (2), p.145-164
[Periódico revisado por pares]
Baltimore: Johns Hopkins University Press
Texto completo disponível
Citações
Citado por
Exibir Online
Detalhes
Resenhas & Tags
Mais Opções
Nº de Citações
This feature requires javascript
Enviar para
Adicionar ao Meu Espaço
Remover do Meu Espaço
E-mail (máximo 30 registros por vez)
Imprimir
Link permanente
Referência
EasyBib
EndNote
RefWorks
del.icio.us
Exportar RIS
Exportar BibTeX
This feature requires javascript
Título:
Putrefaction as Optical Technology
Autor:
Chico, Tita
Assuntos:
1700-1799
;
Authors
;
Biodegradation
;
Connotation
;
Decay
;
Eighteenth Century
;
English Literature
;
Experiments
;
human body
;
Ideology
;
Metaphor
;
nature
;
Odors
;
Optical instruments in literature
;
Optics
;
Optics in literature
;
Philosophy
;
Poetry
;
Political discourse
;
Putrefaction
;
Quality
;
Scottish literature
;
Summer
;
technology
;
The Seasons
;
the visual
;
Thomson, James
;
Thomson, James (1700-1748)
;
Visuality
;
Wordsworth, William (1770-1850)
É parte de:
Configurations (Baltimore, Md.), 2017-03, Vol.25 (2), p.145-164
Descrição:
James Thomson's The Seasons is arguably a poem about seeing-its practices, theories, and connotations. Much lauded for its visual qualities, The Seasons reflects a unique adaptation of the natural philosophical discourse of putrefaction. Thomson's cautiously optimistic view of experimental philosophy is evident in portions of The Seasons devoted to optical technology, such as the microscope and the prism. In addition to this focus on the material practices of experiment, Thomson investigates the intellectual and imaginative visual possibilities afforded by the putrefaction that haunts the landscape of Summer. The putrefying body is at once decaying and a remnant of its former self. Putrefaction is most vividly apprehended by experimenters through the olfactory sense-rotting things stink-but Thomson converts putrefaction into an exclusively visual metaphor. Putrefaction offers Thomson the language and framework to visualize the landscape and its fraught relationship to commercial and political interests. The discourse of putrefaction as an optical technology in Summer opens up the space to register the losses and costs of Britannia's "progress."
Editor:
Baltimore: Johns Hopkins University Press
Idioma:
Inglês
This feature requires javascript
This feature requires javascript
Voltar para lista de resultados
Anterior
Resultado
8
Avançar
This feature requires javascript
This feature requires javascript
Buscando em bases de dados remotas. Favor aguardar.
Buscando por
em
scope:(USP_PRODUCAO),scope:(USP_EBOOKS),scope:("PRIMO"),scope:(USP),scope:(USP_EREVISTAS),scope:(USP_FISICO),primo_central_multiple_fe
Mostrar o que foi encontrado até o momento
This feature requires javascript
This feature requires javascript