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1
Discovering the Motif: The paintings of Brad Marshall: this New York artist used the image of an arch to endow a recent set of paintings with a sense of unity and focus
Discovering the Motif: The paintings of Brad Marshall: this New York artist used the image of an arch to endow a recent set of paintings with a sense of unity and focus
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Discovering the Motif: The paintings of Brad Marshall: this New York artist used the image of an arch to endow a recent set of paintings with a sense of unity and focus

Parks, John A

American artist, 2009-01, Vol.73 (794), p.38

F+W Media, Inc

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2
The grandeur of daily life: paintings by David G. Baker: this Maine-based artist imbues humble interiors and the lives that are lived in them with a mysterious sense of dignity and purpose
The grandeur of daily life: paintings by David G. Baker: this Maine-based artist imbues humble interiors and the lives that are lived in them with a mysterious sense of dignity and purpose
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The grandeur of daily life: paintings by David G. Baker: this Maine-based artist imbues humble interiors and the lives that are lived in them with a mysterious sense of dignity and purpose

Parks, John A

American artist, 2008-10, Vol.72 (791), p.34

F+W Media, Inc

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3
Simplifying on-site scenes: working on-site with a limited amount of time before her subjects change, watercolorist Phyllis Floyd is forced to simplify her intimate scenes of people in Manhattan's parks
Simplifying on-site scenes: working on-site with a limited amount of time before her subjects change, watercolorist Phyllis Floyd is forced to simplify her intimate scenes of people in Manhattan's parks
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Simplifying on-site scenes: working on-site with a limited amount of time before her subjects change, watercolorist Phyllis Floyd is forced to simplify her intimate scenes of people in Manhattan's parks

Price, Linda S

American artist, 2008-10, Vol.72 (791), p.50

F+W Media, Inc

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4
Guided by a sense of ourselves: Janet Monafo once tossed objects onto her studio floor in an attempt to paint a more random arrangement with pastels. "I really wanted to accept whatever happened, but in the end I couldn't resist my need to carefully organize the shapes and patterns," she confesses. "I had to admit my inability to deny my natural tendencies and personal standards."
Guided by a sense of ourselves: Janet Monafo once tossed objects onto her studio floor in an attempt to paint a more random arrangement with pastels. "I really wanted to accept whatever happened, but in the end I couldn't resist my need to carefully organize the shapes and patterns," she confesses. "I had to admit my inability to deny my natural tendencies and personal standards."
Material Type:
magazinearticle 		Adicionar ao Meu Espaço

Guided by a sense of ourselves: Janet Monafo once tossed objects onto her studio floor in an attempt to paint a more random arrangement with pastels. "I really wanted to accept whatever happened, but in the end I couldn't resist my need to carefully organize the shapes and patterns," she confesses. "I had to admit my inability to deny my natural tendencies and personal standards."

Doherty, M. Stephen

American artist, 2008-06, Vol.72 (788), p.20

F+W Media, Inc

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5
The first realist: the paintings of Gustave Courbet: heralded as a rebel of the romantic movement, Gustave Courbet is today considered one of the first to propel realism into the modern world
The first realist: the paintings of Gustave Courbet: heralded as a rebel of the romantic movement, Gustave Courbet is today considered one of the first to propel realism into the modern world
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magazinearticle 		Adicionar ao Meu Espaço

The first realist: the paintings of Gustave Courbet: heralded as a rebel of the romantic movement, Gustave Courbet is today considered one of the first to propel realism into the modern world

Parks, John A

American artist, 2008-06, Vol.72 (788), p.28

F+W Media, Inc

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6
Tin cans, fractured light, and lavish paint: the Art of Nancy Switzer: this Colorado oil painter pushes the possibilities of surface and color to create rich and spectacular paintings
Tin cans, fractured light, and lavish paint: the Art of Nancy Switzer: this Colorado oil painter pushes the possibilities of surface and color to create rich and spectacular paintings
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Tin cans, fractured light, and lavish paint: the Art of Nancy Switzer: this Colorado oil painter pushes the possibilities of surface and color to create rich and spectacular paintings

Parks, John A

American artist, 2008-05, Vol.72 (787), p.30

F+W Media, Inc

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7
The structure needed in painting and in life
The structure needed in painting and in life
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The structure needed in painting and in life

Doherty, M. Stephen

American artist, 2008-05, Vol.72 (787), p.20-29

F+W Media, Inc

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8
Sticking with the figure: in 1994 New York City pastelist Sam Goodsell returned to the art world after nine years away, determined to fully explore the challenging and rewarding genre of figure painting. His dedication is paying off
Sticking with the figure: in 1994 New York City pastelist Sam Goodsell returned to the art world after nine years away, determined to fully explore the challenging and rewarding genre of figure painting. His dedication is paying off
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Sticking with the figure: in 1994 New York City pastelist Sam Goodsell returned to the art world after nine years away, determined to fully explore the challenging and rewarding genre of figure painting. His dedication is paying off

Bahr, Bob

American artist, 2008-04, Vol.72 (786), p.70

F+W Media, Inc

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9
Boldness & clarity: the architectural paintings of Elizabeth Daggar: this Brooklyn-based artist uses a combination of casein and acrylic to create paintings of considerable power
Boldness & clarity: the architectural paintings of Elizabeth Daggar: this Brooklyn-based artist uses a combination of casein and acrylic to create paintings of considerable power
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Boldness & clarity: the architectural paintings of Elizabeth Daggar: this Brooklyn-based artist uses a combination of casein and acrylic to create paintings of considerable power

Parks, John A

American artist, 2008-04, Vol.72 (786), p.28

F+W Media, Inc

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10
Adding to your set of creative tools: more than 20 years after she started studying art seriously, Maryland artist Abigail McBride is still acquiring skills she refers to as the "tools" that help her successfully build paintings. "Every time I learn something on my own, from a teacher, or from another artist, I pick up more tools to help me face challenges and create better paintings," she explains
Adding to your set of creative tools: more than 20 years after she started studying art seriously, Maryland artist Abigail McBride is still acquiring skills she refers to as the "tools" that help her successfully build paintings. "Every time I learn something on my own, from a teacher, or from another artist, I pick up more tools to help me face challenges and create better paintings," she explains
Material Type:
magazinearticle 		Adicionar ao Meu Espaço

Adding to your set of creative tools: more than 20 years after she started studying art seriously, Maryland artist Abigail McBride is still acquiring skills she refers to as the "tools" that help her successfully build paintings. "Every time I learn something on my own, from a teacher, or from another artist, I pick up more tools to help me face challenges and create better paintings," she explains

Doherty, M. Stephen

American artist, 2008-04, Vol.72 (786), p.36

F+W Media, Inc

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