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1
The Aaron Cohen Collection of Japanese Madame Butterfly Materials at the Music Library, University of South Carolina
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The Aaron Cohen Collection of Japanese Madame Butterfly Materials at the Music Library, University of South Carolina

Russell, Maureen

Music reference services quarterly, 2024-04, Vol.27 (2), p.96-104 [Periódico revisado por pares]

New York: Routledge

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2
Thai musicology in context: epistemic disparities in Thai and western ways of knowing Thai music
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Thai musicology in context: epistemic disparities in Thai and western ways of knowing Thai music

Garzoli, John ; Hin-on, Tharanat

Ethnomusicology forum, 2023-05, Vol.32 (2), p.224-250 [Periódico revisado por pares]

Abingdon: Routledge

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3
‘ Ce désert est faux ’ : Thoughts on Restaging Constança Capdeville’s Scenic Works
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‘ Ce désert est faux ’ : Thoughts on Restaging Constança Capdeville’s Scenic Works

de Sousa Dias, António

Contemporary music review, 2023-03, Vol.42 (2), p.236-252 [Periódico revisado por pares]

Abingdon: Taylor & Francis Ltd

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4
From the History of Jazz in Europe towards a European History of Jazz: The International Federation of Hot Clubs (1935–6) and ‘Jazz Internationalism’
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Artigo
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From the History of Jazz in Europe towards a European History of Jazz: The International Federation of Hot Clubs (1935–6) and ‘Jazz Internationalism’

GUERPIN, MARTIN

Journal of the Royal Musical Association, 2022-11, Vol.147 (2), p.582-594 [Periódico revisado por pares]

Cambridge: Cambridge University Press

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5
Singing in tune with God: Bengali vaiṣṇava musical scholarship in the eighteenth century
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Singing in tune with God: Bengali vaiṣṇava musical scholarship in the eighteenth century

Williams, Richard David

South Asian history and culture, 2022-04, Vol.13 (2), p.180-196 [Periódico revisado por pares]

Oxford: Routledge

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6
Temporality and Texture in the Performance of George Crumb's Music for a Summer Evening
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Temporality and Texture in the Performance of George Crumb's Music for a Summer Evening

Lalitte, Philippe

Contemporary music review, 2022-01, Vol.41 (1), p.86-107 [Periódico revisado por pares]

Abingdon: Routledge

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7
Black Opera, Operatic Racism and an ‘Engaged Opera Studies’
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Artigo
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Black Opera, Operatic Racism and an ‘Engaged Opera Studies’

HENSON, KAREN

Journal of the Royal Musical Association, 2021-05, Vol.146 (1), p.219-230 [Periódico revisado por pares]

Cambridge: Cambridge University Press

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8
An Opera Singer's Gothic Fiction: The Autobiographies of Sims Reeves
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An Opera Singer's Gothic Fiction: The Autobiographies of Sims Reeves

Barry, Anna Maria

The Journal of musicological research, 2019-10, Vol.38 (3-4), p.233-252 [Periódico revisado por pares]

Philadelphia: Routledge

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9
I Can See Tomorrow in Your Ludomusicology
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I Can See Tomorrow in Your Ludomusicology

Smith, Jacob

Journal of the Royal Musical Association, 2018-01, Vol.143 (2), p.483-488 [Periódico revisado por pares]

Cambridge: Routledge

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10
The sound(s) of subjection: Constructing American popular music and racial identity through Blacksound
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The sound(s) of subjection: Constructing American popular music and racial identity through Blacksound

Morrison, Matthew D.

Women & performance, 2017-01, Vol.27 (1), p.13-24 [Periódico revisado por pares]

Abingdon: Routledge

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