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1
Musical Agents: Toward Computer-Aided Music Composition Using Autonomous Software Agents
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Musical Agents: Toward Computer-Aided Music Composition Using Autonomous Software Agents

Dahlstedt, Palle ; McBurney, Peter

Leonardo (Oxford), 2007, Vol.39 (5), p.469 [Periódico revisado por pares]

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Bridging the Gap: Symbiosis of Early and Contemporary Music in the Recorder Compositions of Hans-Martin Linde
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Bridging the Gap: Symbiosis of Early and Contemporary Music in the Recorder Compositions of Hans-Martin Linde

Burchette, Ursula

The Recorder Magazine, 2015-10, Vol.35 (3), p.80-88

Hebden Bridge: Peacock Press

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3
Experimental company cuts up classics to create beatnik opera
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Experimental company cuts up classics to create beatnik opera

Music and the moving image, 2015-10, Vol.11 (16), p.9-9

Huddersfield: Muso Communications Ltd

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4
C'mon, Everybody
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C'mon, Everybody

Gewen, Barry

Dissent (New York), 2008-01, Vol.55 (1), p.77-84

Philadelphia: University of Pennsylvania Press

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5
Quiet Ecstasy
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Quiet Ecstasy

Seidel, Jonathan

Tikkun, 2010-01, Vol.25 (1), p.65-79

San Francisco: The Institute for Labor and Mental Health

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6
Guero
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Guero

Nachmann, Ron

Tikkun, 2005-05, Vol.20 (3), p.80

San Francisco: Duke University Press

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7
Minding the Store: The Niche Marketing of the Melvins
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Minding the Store: The Niche Marketing of the Melvins

Bertsch, Charlie

Tikkun, 2007-01, Vol.22 (1), p.78-80

San Francisco: The Institute for Labor and Mental Health

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8
From My Life with DoRÉ
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From My Life with DoRÉ

Werschenska, Galina

Subtropics, 2015-03 (19), p.19

Gainesville: University Press of Florida

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9
Redistributing the Sonic Universe: Listening to Califone
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Redistributing the Sonic Universe: Listening to Califone

Bertsch, Charlie

Tikkun, 2006-11, Vol.21 (6), p.94-95

The Institute for Labor and Mental Health

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10
The damnation of Dr. Atomic
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The damnation of Dr. Atomic

Cohen, Mitchell

Dissent (New York), 2009-04, Vol.56 (2), p.79-85

Philadelphia: University of Pennsylvania Press

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