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1
Elysian fields: Richard Cork is seduced by old visions of paradise, serpents and all.("Paradise" exhibition at the National Galley includes paintings from several artists including Claude Monet)
Elysian fields: Richard Cork is seduced by old visions of paradise, serpents and all.("Paradise" exhibition at the National Galley includes paintings from several artists including Claude Monet)
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Elysian fields: Richard Cork is seduced by old visions of paradise, serpents and all.("Paradise" exhibition at the National Galley includes paintings from several artists including Claude Monet)

Cork, Richard

New statesman (1996), 2003-07, Vol.132 (4648), p.30

New Statesman, Ltd

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2
An eye for pictures: the Evening Standard's late film critic has left the nation a marvellous collection, writes Richard Cork.(Visual Arts)
An eye for pictures: the Evening Standard's late film critic has left the nation a marvellous collection, writes Richard Cork.(Visual Arts)
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An eye for pictures: the Evening Standard's late film critic has left the nation a marvellous collection, writes Richard Cork.(Visual Arts)

Cork, Richard

New statesman (1996), 2004-09, Vol.133 (4705), p.43

New Statesman, Ltd

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3
O brother, where art thou? Augustus and Gwen John are head-to-head at Tate Britain. Richard Cork finds there is only one winner
O brother, where art thou? Augustus and Gwen John are head-to-head at Tate Britain. Richard Cork finds there is only one winner
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O brother, where art thou? Augustus and Gwen John are head-to-head at Tate Britain. Richard Cork finds there is only one winner

Cork, Richard

New statesman (1996), 2004-10, Vol.133 (4709), p.43

New Statesman, Ltd

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4
Notebook: one artwork envisages life in the year 3000, when beautiful women are made into sushi
Notebook: one artwork envisages life in the year 3000, when beautiful women are made into sushi
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magazinearticle 		Adicionar ao Meu Espaço

Notebook: one artwork envisages life in the year 3000, when beautiful women are made into sushi

Millard, Rosie

New statesman (1996), 2004-09, Vol.133 (4707), p.65

New Statesman, Ltd

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5
An irrepressible obsession: he draws scatologically detailed fictional cities in painstaking pencil. Richard Cork is enthused by the wild world of Paul Noble
An irrepressible obsession: he draws scatologically detailed fictional cities in painstaking pencil. Richard Cork is enthused by the wild world of Paul Noble
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magazinearticle 		Adicionar ao Meu Espaço

An irrepressible obsession: he draws scatologically detailed fictional cities in painstaking pencil. Richard Cork is enthused by the wild world of Paul Noble

Cork, Richard

New statesman (1996), 2004-09, Vol.133 (4707), p.63

New Statesman, Ltd

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6
Notebook: there were gasps of horror as the National Gallery unwrapped the painting from Urbino
Notebook: there were gasps of horror as the National Gallery unwrapped the painting from Urbino
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magazinearticle 		Adicionar ao Meu Espaço

Notebook: there were gasps of horror as the National Gallery unwrapped the painting from Urbino

Millard, Rosie

New statesman (1996), 2004-11, Vol.133 (4712), p.43

New Statesman, Ltd

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7
Notebook: the Rubens exhibition in Lille puts British stagings of blockbuster shows in a bad light
Notebook: the Rubens exhibition in Lille puts British stagings of blockbuster shows in a bad light
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magazinearticle 		Adicionar ao Meu Espaço

Notebook: the Rubens exhibition in Lille puts British stagings of blockbuster shows in a bad light

Millard, Rosie

New statesman (1996), 2004-05, Vol.133 (4689), p.43

New Statesman, Ltd

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8
A crib for a bed: Trafalgar Square will be the scene of a heretical new nativity. Richard Cork explains
A crib for a bed: Trafalgar Square will be the scene of a heretical new nativity. Richard Cork explains
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A crib for a bed: Trafalgar Square will be the scene of a heretical new nativity. Richard Cork explains

Cork, Richard

New statesman (1996), 2004-12, Vol.133 (4718), p.65

New Statesman, Ltd

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9
The dealer wins: Richard Cork is alarmed to find that artists count for little on a list of the powerful
The dealer wins: Richard Cork is alarmed to find that artists count for little on a list of the powerful
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The dealer wins: Richard Cork is alarmed to find that artists count for little on a list of the powerful

Cork, Richard

New statesman (1996), 2004-11, Vol.133 (4714), p.40

New Statesman, Ltd

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10
House of horrors: bodies bagged up in bin liners, a hunched figure behind a shower curtain, an unseen child screaming. Richard Cork is spooked by a haunting installation
House of horrors: bodies bagged up in bin liners, a hunched figure behind a shower curtain, an unseen child screaming. Richard Cork is spooked by a haunting installation
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magazinearticle 		Adicionar ao Meu Espaço

House of horrors: bodies bagged up in bin liners, a hunched figure behind a shower curtain, an unseen child screaming. Richard Cork is spooked by a haunting installation

Cork, Richard

New statesman (1996), 2004-11, Vol.133 (4715), p.40

New Statesman, Ltd

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