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Work, Form and Phonogram. On the Significance of the Concept of Communication for the Modern Western Concept of Music
Work, Form and Phonogram. On the Significance of the Concept of Communication for the Modern Western Concept of Music
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Work, Form and Phonogram. On the Significance of the Concept of Communication for the Modern Western Concept of Music

Volgsten, Ulrik

International review of the aesthetics and sociology of music, 2015-12, Vol.46 (2), p.207-232

Zagreb: Department for Music and Musicology of the Croatian Academy of Sciences and Arts, Croatian Musicological Society, Music Academy of the University of Zagreb

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2
Hearing Beethoven, Truth, and »New Music
Hearing Beethoven, Truth, and »New Music
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Hearing Beethoven, Truth, and »New Music

Zagorski, Marcus

International review of the aesthetics and sociology of music, 2013-06, Vol.44 (1), p.49-56

Zagreb: Department for Music and Musicology of the Croatian Academy of Sciences and Arts, Croatian Musicological Society, Music Academy of the University of Zagreb

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3
The Spectre of the End: Musical Avant-Gardism and the Philosophical Turn
The Spectre of the End: Musical Avant-Gardism and the Philosophical Turn
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The Spectre of the End: Musical Avant-Gardism and the Philosophical Turn

Gur, Golan

International review of the aesthetics and sociology of music, 2011-12, Vol.42 (2), p.267-284

Zagreb: Department for Music and Musicology of the Croatian Academy of Sciences and Arts, Croatian Musicological Society, Music Academy of the University of Zagreb

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4
History under Erasure: "Wellingtons Sieg", the Congress of Vienna, and the Ruination of Beethoven's Heroic Style
History under Erasure: "Wellingtons Sieg", the Congress of Vienna, and the Ruination of Beethoven's Heroic Style
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History under Erasure: "Wellingtons Sieg", the Congress of Vienna, and the Ruination of Beethoven's Heroic Style

Mathew, Nicholas

The Musical quarterly, 2006-04, Vol.89 (1), p.17-61 [Periódico revisado por pares]

New York, N. Y: Oxford University Press

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5
Camille Mauclair: Critique et Compétences / Camille Mauclair: Critique and Competences / Camille Mauclair: Kritika i Kompetencije
Camille Mauclair: Critique et Compétences / Camille Mauclair: Critique and Competences / Camille Mauclair: Kritika i Kompetencije
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Camille Mauclair: Critique et Compétences / Camille Mauclair: Critique and Competences / Camille Mauclair: Kritika i Kompetencije

Yeoland, Rosemary ; Hafez-Ergaut, Agnès

International review of the aesthetics and sociology of music, 2006-12, Vol.37 (2), p.213-224

Department for Music and Musicology of the Croatian Academy of Sciences and Arts, Croatian Musicological Society, Music Academy of the University of Zagreb

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6
Recognition of Music and Beauty by the Language Game / Prepoznavanje glazbe i ljepote jezičnom igrom
Recognition of Music and Beauty by the Language Game / Prepoznavanje glazbe i ljepote jezičnom igrom
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Recognition of Music and Beauty by the Language Game / Prepoznavanje glazbe i ljepote jezičnom igrom

Yako, Masato

International review of the aesthetics and sociology of music, 2007-06, Vol.38 (1), p.3-21

Department for Music and Musicology of the Croatian Academy of Sciences and Arts, Croatian Musicological Society, Music Academy of the University of Zagreb

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7
Interpreting Chaos: The Paradigm of Chaotics and New Critical Theory
Interpreting Chaos: The Paradigm of Chaotics and New Critical Theory
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Interpreting Chaos: The Paradigm of Chaotics and New Critical Theory

McLeod, Kenneth

College music symposium, 2005-01, Vol.45, p.42-56 [Periódico revisado por pares]

The College Music Society

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8
A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century
A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century
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A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century

Brinkmann, Reinhold ; Bittmann, Antonius

The Musical quarterly, 2004-12, Vol.87 (4), p.631-659 [Periódico revisado por pares]

Oxford: Oxford University Press

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9
Mozart at Work: Biography and a Musical Aesthetic for the Emerging German Bourgeoisie
Mozart at Work: Biography and a Musical Aesthetic for the Emerging German Bourgeoisie
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Mozart at Work: Biography and a Musical Aesthetic for the Emerging German Bourgeoisie

Painter, Karen

The Musical quarterly, 2002-04, Vol.86 (1), p.186-235 [Periódico revisado por pares]

Oxford: Oxford University Press

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10
Bartók and Janáček: Ideological Convergence and Critical Value
Bartók and Janáček: Ideological Convergence and Critical Value
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Bartók and Janáček: Ideological Convergence and Critical Value

Porter, James

The Musical quarterly, 2000-10, Vol.84 (3), p.426-451 [Periódico revisado por pares]

Oxford: Oxford University Press

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