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Refinado por: Base de dados/Biblioteca: University of California Press Journals remover
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1
The Honnête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music
The Honnête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music
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The Honnête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music

Fader, Don

The Journal of musicology (St. Joseph, Mich.), 2003-01, Vol.20 (1), p.3-43 [Periódico revisado por pares]

St Joseph, Mich, etc: University of California Press Books Division

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2
Handel as Orpheus: Voice and Desire in the Chamber Cantatas
Handel as Orpheus: Voice and Desire in the Chamber Cantatas
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Handel as Orpheus: Voice and Desire in the Chamber Cantatas

STROHM, REINHARD

Journal of the American Musicological Society, 2007, Vol.60 (1), p.217-222 [Periódico revisado por pares]

Richmond: University of California Press

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3
TheHonnête hommeas Music Critic: Taste, Rhetoric, andPolitessein the 17th-Century French Reception of Italian Music
TheHonnête hommeas Music Critic: Taste, Rhetoric, andPolitessein the 17th-Century French Reception of Italian Music
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TheHonnête hommeas Music Critic: Taste, Rhetoric, andPolitessein the 17th-Century French Reception of Italian Music

FADER, DON

The Journal of musicology (St. Joseph, Mich.), 2003-01, Vol.20 (1), p.3-44 [Periódico revisado por pares]

University of California Press

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4
Rhetorical Personification of the Dead in 17th-Century German Funeral Music: Heinrich Schütz's Musikalische Exequien (1636) and Three Works by Michael Wiedemann (1693)
Rhetorical Personification of the Dead in 17th-Century German Funeral Music: Heinrich Schütz's Musikalische Exequien (1636) and Three Works by Michael Wiedemann (1693)
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Rhetorical Personification of the Dead in 17th-Century German Funeral Music: Heinrich Schütz's Musikalische Exequien (1636) and Three Works by Michael Wiedemann (1693)

Johnston, Gregory S.

The Journal of musicology (St. Joseph, Mich.), 1991-04, Vol.9 (2), p.186-213 [Periódico revisado por pares]

St. Joseph: University of California Press

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5
The Tonic as Triad: Key Profiles as Pitch Salience Profiles of Tonic Triads
The Tonic as Triad: Key Profiles as Pitch Salience Profiles of Tonic Triads
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The Tonic as Triad: Key Profiles as Pitch Salience Profiles of Tonic Triads

Parncutt, Richard

Music perception, 2011-04, Vol.28 (4), p.333-366 [Periódico revisado por pares]

Berkeley, Calif: University of California Press

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6
Rhetorical Personification of the Dead in 17th-Century German Funeral Music
Rhetorical Personification of the Dead in 17th-Century German Funeral Music
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Rhetorical Personification of the Dead in 17th-Century German Funeral Music

Johnston, Gregory S

The Journal of musicology (St. Joseph, Mich.), 1991-04, Vol.9 (2), p.186-213 [Periódico revisado por pares]

St Joseph, Mich, etc: Imperial Printing Co

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7
Rhetorical Personification of the Dead in 17th-Century German Funeral Music: Heinrich Schütz's Musikalische Exequien (1636) and Three Works by Michael Wiedemann (1693)
Rhetorical Personification of the Dead in 17th-Century German Funeral Music: Heinrich Schütz's Musikalische Exequien (1636) and Three Works by Michael Wiedemann (1693)
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Artigo 		Adicionar ao Meu Espaço

Rhetorical Personification of the Dead in 17th-Century German Funeral Music: Heinrich Schütz's Musikalische Exequien (1636) and Three Works by Michael Wiedemann (1693)

Johnston, Gregory S.

The Journal of musicology (St. Joseph, Mich.), 1991-04, Vol.9 (2), p.186-213 [Periódico revisado por pares]

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8
Spanish Organ Music of the Early 17th Century
Spanish Organ Music of the Early 17th Century
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Spanish Organ Music of the Early 17th Century

Apel, Willi

Journal of the American Musicological Society, 1962-07, Vol.15 (2), p.174-181 [Periódico revisado por pares]

Richmond, Va: American Musicological Society

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9
Spanish Organ Music of the Early 17th Century
Spanish Organ Music of the Early 17th Century
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Spanish Organ Music of the Early 17th Century

Apel, Willi

Journal of the American Musicological Society, 1962-07, Vol.15 (2), p.174-181 [Periódico revisado por pares]

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10
The Oxford Music School in the Late 17th Century
The Oxford Music School in the Late 17th Century
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The Oxford Music School in the Late 17th Century

Ford, Wyn K.

Journal of the American Musicological Society, 1964-07, Vol.17 (2), p.198-203 [Periódico revisado por pares]

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