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Queer, plastic residues: biological mutability and queer resistance in Robin Campillo's 120 BPM (2017) and the work of Catherine MalabouDalton, BenjaminModern & contemporary France, 2022-04, Vol.30 (2), p.193-208 [Periódico revisado por pares]Abingdon: RoutledgeTexto completo disponível |