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Sight And Sound
| Result Number | Material Type | Add to My Shelf Action | Record Details and Options |
|---|---|---|---|
| 1 |
Material Type: Resenha
|
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Humanity and Paper BalloonsBell, JamesSight and Sound, 2005, Vol.15 (10), p.97-97London: British Film InstituteTexto completo disponível |
| 2 |
Material Type: Resenha
|
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NEW BATTLES WITHOUT HONOUR AND HUMANITY THE COMPLETE TRILOGYNewman, KimSight and Sound, 2017, Vol.27 (11), p.87-87London: British Film InstituteTexto completo disponível |
| 3 |
Material Type: magazinearticle
|
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Stories in briefRiley, ConorSight and sound (London), 2024-04, Vol.34 (3), p.15-15London: British Film InstituteTexto completo disponível |
| 4 |
Material Type: magazinearticle
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COLOUR CORRECTIONSight and sound (London), 2023-11, Vol.33 (9), p.22-22London: British Film InstituteTexto completo disponível |
| 5 |
Material Type: magazinearticle
|
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In praise of Hedd Wyn, the hidden gem treasured everywhere but next doorWilliams, MikeSight and sound (London), 2023-04, Vol.33 (3), p.6-6London: British Film InstituteTexto completo disponível |
| 6 |
Material Type: magazinearticle
|
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50 BEST FILMS OF 2022Stevens, IsabelSight and sound (London), 2023-03, Vol.33 (2), p.53-65London: British Film InstituteTexto completo disponível |
| 7 |
Material Type: magazinearticle
|
|
Order, order. The Greatest Films verdict, finally, is inWilliams, MikeSight and sound (London), 2022-12, Vol.33 (1), p.6-6London: British Film InstituteTexto completo disponível |
| 8 |
Material Type: magazinearticle
|
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ANAÏS DEMOUSTIERVincendeau, GinetteSight and sound (London), 2022-09, Vol.32 (7), p.76-76London: British Film InstituteTexto completo disponível |
| 9 |
Material Type: magazinearticle
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As Sight and Sound turns 90 our raison d'être is clearWilliams, MikeSight and sound (London), 2022-07, Vol.32 (6), p.6-6London: British Film InstituteTexto completo disponível |
| 10 |
Material Type: magazinearticle
|
|
FROM THE ARCHIVEMcBride, Joseph ; Wilmington, MichaelSight and sound (London), 2022-06, Vol.32 (5), p.104-109London: British Film InstituteTexto completo disponível |
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