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1
Sequestered History: Collaboration and Complicity in Jean-Paul Sartre's Les Séquestrés d' Altona (The Sequestered of Altona) and Noma Hiroshi's Shinkū Chitai 真空地帯 (Zone of Emptiness)
Sequestered History: Collaboration and Complicity in Jean-Paul Sartre's Les Séquestrés d' Altona (The Sequestered of Altona) and Noma Hiroshi's Shinkū Chitai 真空地帯 (Zone of Emptiness)
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Sequestered History: Collaboration and Complicity in Jean-Paul Sartre's Les Séquestrés d' Altona (The Sequestered of Altona) and Noma Hiroshi's Shinkū Chitai 真空地帯 (Zone of Emptiness)

Copley, Jessica

Comparative literature studies (Urbana), 2019-10, Vol.56 (4), p.769-786 [Periódico revisado por pares]

University Park: Penn State University Press

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2
Between Social Duty and the Greed of Giving: On Philanthrocapitalism and Gift-Patriotism
Between Social Duty and the Greed of Giving: On Philanthrocapitalism and Gift-Patriotism
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Between Social Duty and the Greed of Giving: On Philanthrocapitalism and Gift-Patriotism

Hites, Sándor

Comparative literature studies (Urbana), 2019-01, Vol.56 (3), p.469-486 [Periódico revisado por pares]

University Park: Pennsylvania State University Press

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3
Hazy Analogies: Sexual and Colonial Complicities in Annie Ernaux's
Hazy Analogies: Sexual and Colonial Complicities in Annie Ernaux's
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Hazy Analogies: Sexual and Colonial Complicities in Annie Ernaux's

Lindsay, Gabriella

Comparative literature studies (Urbana), 2019-10, Vol.56 (4), p.787-806 [Periódico revisado por pares]

University Park: Penn State University Press

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4
Writing the Impossibility of Relation: Marguerite Duras's La Maladie de la mort, Maggie Nelson's Bluets, and Lydia Davis's The End of the Story
Writing the Impossibility of Relation: Marguerite Duras's La Maladie de la mort, Maggie Nelson's Bluets, and Lydia Davis's The End of the Story
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Writing the Impossibility of Relation: Marguerite Duras's La Maladie de la mort, Maggie Nelson's Bluets, and Lydia Davis's The End of the Story

McConnell, Anne

Comparative literature studies (Urbana), 2018-01, Vol.55 (3), p.512-539 [Periódico revisado por pares]

University Park: Pennsylvania State University Press

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5
The Reworking and Incorporation of Two of Marguerite de Navarre's “Heptaméron” Nouvelles by María de Zayas y Sotomayor in Her Novela “Tarde llega el desengaño”
The Reworking and Incorporation of Two of Marguerite de Navarre's “Heptaméron” Nouvelles by María de Zayas y Sotomayor in Her Novela “Tarde llega el desengaño”
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The Reworking and Incorporation of Two of Marguerite de Navarre's “Heptaméron” Nouvelles by María de Zayas y Sotomayor in Her Novela “Tarde llega el desengaño”

Cohen, Henry

Comparative literature studies (Urbana), 2019, Vol.56 (1), p.104-132 [Periódico revisado por pares]

University Park: Pennsylvania State University Press

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6
Noble Errors: Examples of Love and Tragedy from Literature, Philosophy, and Psychoanalysis
Noble Errors: Examples of Love and Tragedy from Literature, Philosophy, and Psychoanalysis
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Noble Errors: Examples of Love and Tragedy from Literature, Philosophy, and Psychoanalysis

Stromberg, David

Comparative literature studies (Urbana), 2018-01, Vol.55 (1), p.93-114 [Periódico revisado por pares]

University Park: Pennsylvania State University Press

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7
Community by Death: Mishima, Bataille, and Metaphysics of the Flesh
Community by Death: Mishima, Bataille, and Metaphysics of the Flesh
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Community by Death: Mishima, Bataille, and Metaphysics of the Flesh

Lac, Astrid

Comparative literature studies (Urbana), 2017-05, Vol.54 (2), p.431-467 [Periódico revisado por pares]

University Park: Pennsylvania State University Press

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8
Renga: A European Poem and its Japanese Model
Renga: A European Poem and its Japanese Model
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Renga: A European Poem and its Japanese Model

Starrs, Roy

Comparative literature studies (Urbana), 2017-05, Vol.54 (2), p.275-304 [Periódico revisado por pares]

University Park: Pennsylvania State University Press

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9
A Critique of the Orientalist Divide: Setting Side by Side of Domestic Spaces in R. K. Narayan's The Dark Room (1938) and Rachilde's The Juggler (1900)
A Critique of the Orientalist Divide: Setting Side by Side of Domestic Spaces in R. K. Narayan's The Dark Room (1938) and Rachilde's The Juggler (1900)
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A Critique of the Orientalist Divide: Setting Side by Side of Domestic Spaces in R. K. Narayan's The Dark Room (1938) and Rachilde's The Juggler (1900)

Pham, Chi P.

Comparative literature studies (Urbana), 2018, Vol.55 (3), p.634-655 [Periódico revisado por pares]

University Park: Pennsylvania State University Press

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10
Voices of Rousseau and Temporality in Friedrich Hölderlin's “Der Rhein”
Voices of Rousseau and Temporality in Friedrich Hölderlin's “Der Rhein”
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Voices of Rousseau and Temporality in Friedrich Hölderlin's “Der Rhein”

Kenosian, David

Comparative literature studies (Urbana), 2017-08, Vol.54 (3), p.561-580 [Periódico revisado por pares]

University Park: Pennsylvania State University Press

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