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Resurrection: The Emergence of 1919 and the Counterrevolution after 1956
Resurrection: The Emergence of 1919 and the Counterrevolution after 1956
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Resurrection: The Emergence of 1919 and the Counterrevolution after 1956

Apor, Péter

Fabricating Authenticity in Soviet Hungary, 2014, p.61-100

London: Anthem Press

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2
NARRATION: HISTORY, FICTION AND PROOF IN THE REPRESENTATION OF THE FIRST HUNGARIAN SOVIET REPUBLIC, 1959–1965
NARRATION: HISTORY, FICTION AND PROOF IN THE REPRESENTATION OF THE FIRST HUNGARIAN SOVIET REPUBLIC, 1959–1965
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NARRATION: HISTORY, FICTION AND PROOF IN THE REPRESENTATION OF THE FIRST HUNGARIAN SOVIET REPUBLIC, 1959–1965

Péter Apor

Fabricating Authenticity in Soviet Hungary, 2014, p.165

Anthem Press

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3
Introduction: The Futures of the Past
Introduction: The Futures of the Past
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Introduction: The Futures of the Past

Péter Apor ; Oksana Sarkisova Oksana Sarkisova ; Péter Apor

Past for the Eyes, 2008, p.vii

Central European University Press

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4
The “Unmemorable” and the “Unforgettable”: “Museumizing” the Socialist Past in Post-1989 Bulgaria
The “Unmemorable” and the “Unforgettable”: “Museumizing” the Socialist Past in Post-1989 Bulgaria
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The “Unmemorable” and the “Unforgettable”: “Museumizing” the Socialist Past in Post-1989 Bulgaria

Nikolai Vukov Oksana Sarkisova ; Péter Apor

Past for the Eyes, 2008, p.307

Central European University Press

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5
The Redistribution of the Memory of Socialism: Identity Formations of the “Survivors” in Hungary after 1989
The Redistribution of the Memory of Socialism: Identity Formations of the “Survivors” in Hungary after 1989
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The Redistribution of the Memory of Socialism: Identity Formations of the “Survivors” in Hungary after 1989

Zsolt K. Horváth Oksana Sarkisova ; Péter Apor

Past for the Eyes, 2008, p.247

Central European University Press

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6
Out of the Past: Memories and Nostalgia in (Post-)Yugoslav Cinema
Out of the Past: Memories and Nostalgia in (Post-)Yugoslav Cinema
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Out of the Past: Memories and Nostalgia in (Post-)Yugoslav Cinema

Nevena Daković Oksana Sarkisova ; Péter Apor

Past for the Eyes, 2008, p.117

Central European University Press

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7
We Have Democracy, Don’t We?: Czech Society as Reflected in Contemporary Czech Cinema
We Have Democracy, Don’t We?: Czech Society as Reflected in Contemporary Czech Cinema
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We Have Democracy, Don’t We?: Czech Society as Reflected in Contemporary Czech Cinema

Petra Dominková Oksana Sarkisova ; Péter Apor

Past for the Eyes, 2008, p.215

Central European University Press

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8
The Experiences of a Filmmaker: Reconstructing Reality from Documents in Communist Archives
The Experiences of a Filmmaker: Reconstructing Reality from Documents in Communist Archives
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The Experiences of a Filmmaker: Reconstructing Reality from Documents in Communist Archives

Alexandru Solomon Oksana Sarkisova ; Péter Apor

Past for the Eyes, 2008, p.103

Central European University Press

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9
Façades: The Private and the Public in Kádár’s Kiss by Péter Forgács
Façades: The Private and the Public in Kádár’s Kiss by Péter Forgács
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Façades: The Private and the Public in Kádár’s Kiss by Péter Forgács

Balázs Varga Oksana Sarkisova ; Péter Apor

Past for the Eyes, 2008, p.81

Central European University Press

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