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Harm to Self-Identity: Reading Goffman to Reassess the Use of Surreptitious Recordings as Evidence
Harm to Self-Identity: Reading Goffman to Reassess the Use of Surreptitious Recordings as Evidence
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Harm to Self-Identity: Reading Goffman to Reassess the Use of Surreptitious Recordings as Evidence

Diab, Robert

Manitoba law journal (1966), 2023-01, Vol.46 (4), p.1

Manitoba Law Journal

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2
Mixtapes from Heaven: The Global Duke Ellington Fandom and the Music they Preserved
Mixtapes from Heaven: The Global Duke Ellington Fandom and the Music they Preserved
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Mixtapes from Heaven: The Global Duke Ellington Fandom and the Music they Preserved

Feustle, Maristella

IASA journal, 2021-08 (51), p.72-82

Sem texto completo

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3
“An Impulse to Transfigure and Render New”—The Anglo-Austrian Music Society in Wartime and Early Post-War Britain
“An Impulse to Transfigure and Render New”—The Anglo-Austrian Music Society in Wartime and Early Post-War Britain
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“An Impulse to Transfigure and Render New”—The Anglo-Austrian Music Society in Wartime and Early Post-War Britain

Snyder, Beth

Music & politics, 2023-02, Vol.17 (1), p.1 [Periódico revisado por pares]

Ann Arbor: Michigan Publishing (University of Michigan Library)

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4
Mixed Motives: Soviet Symphonies and Propagandistic Duplicity in The Iron Curtain (1948)
Mixed Motives: Soviet Symphonies and Propagandistic Duplicity in The Iron Curtain (1948)
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Mixed Motives: Soviet Symphonies and Propagandistic Duplicity in The Iron Curtain (1948)

Platte, Nathan

Music & politics, 2022-08, Vol.16 (2) [Periódico revisado por pares]

Ann Arbor: Michigan Publishing (University of Michigan Library)

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5
One Brotherhood in Aotearoa New Zealand: Protest, Resistance and Pacific Reggae
One Brotherhood in Aotearoa New Zealand: Protest, Resistance and Pacific Reggae
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One Brotherhood in Aotearoa New Zealand: Protest, Resistance and Pacific Reggae

Turner, Elizabeth

Music & politics, 2018-07, Vol.12 (2), p.1 [Periódico revisado por pares]

Ann Arbor: Michigan Publishing (University of Michigan Library)

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6
WILLIAMS V. GAYE: BLURRING THE LINES OF COPYRIGHT INFRINGEMENT IN MUSIC
WILLIAMS V. GAYE: BLURRING THE LINES OF COPYRIGHT INFRINGEMENT IN MUSIC
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WILLIAMS V. GAYE: BLURRING THE LINES OF COPYRIGHT INFRINGEMENT IN MUSIC

Parhami, Paymaneh

Berkeley technology law journal, 2020-01, Vol.34 (4), p.1113 [Periódico revisado por pares]

Berkeley: University of California, Boalt Hall School of Law

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7
Toward an Efficient Licensing and Rate-Setting Regime: Reconstructing § 114(i) of the Copyright Act
Toward an Efficient Licensing and Rate-Setting Regime: Reconstructing § 114(i) of the Copyright Act
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Toward an Efficient Licensing and Rate-Setting Regime: Reconstructing § 114(i) of the Copyright Act

Pomianowski, Joseph

The Yale law journal, 2016-03, Vol.125 (5), p.1-1

New Haven: Yale Law Journal Company, Inc

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8
ADAPTING COPYRIGHT FOR THE MASHUP GENERATION
ADAPTING COPYRIGHT FOR THE MASHUP GENERATION
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ADAPTING COPYRIGHT FOR THE MASHUP GENERATION

Menell, Peter S.

University of Pennsylvania law review, 2016-01, Vol.164 (2), p.441-512 [Periódico revisado por pares]

Philadelphia: students of the University of Pennsylvania Law School

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9
How #BlackGirlMagic Cultivates Supreme Love to Heal and Save Souls That Can Heal and Save the World: An Introduction to Endarkened Feminist Epistemlogical and Ontological Evolutions of Self Through a Critique of Beyoncé's Lemonade
How #BlackGirlMagic Cultivates Supreme Love to Heal and Save Souls That Can Heal and Save the World: An Introduction to Endarkened Feminist Epistemlogical and Ontological Evolutions of Self Through a Critique of Beyoncé's Lemonade
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How #BlackGirlMagic Cultivates Supreme Love to Heal and Save Souls That Can Heal and Save the World: An Introduction to Endarkened Feminist Epistemlogical and Ontological Evolutions of Self Through a Critique of Beyoncé's Lemonade

Staples, Jeanine M

Taboo (New York, N.Y.), 2017-10, Vol.16 (2), p.29-49 [Periódico revisado por pares]

New York: Caddo Gap Press

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10
Tower Records Was Doomed: The Music Industry Was Not
Tower Records Was Doomed: The Music Industry Was Not
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Tower Records Was Doomed: The Music Industry Was Not

O'Brien, John

EDUCAUSE review, 2016-05, Vol.51 (3), p.10

Boulder: EDUCAUSE

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