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Roads “which are commonly wonderful for the musicians” – Early Modern Times Musicians’ Mobility and Migration
Roads “which are commonly wonderful for the musicians” – Early Modern Times Musicians’ Mobility and Migration
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Roads “which are commonly wonderful for the musicians” – Early Modern Times Musicians’ Mobility and Migration

Nieden, Gesa zur ; Over, Berthold Berthold Over ; Gesa zur Nieden ; Over, Berthold ; Nieden, Gesa zur

Musicians' Mobilities and Music Migrations in Early Modern Europe, 2016, Vol.33, p.11-32

Germany: transcript Verlag

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2
Unpopular Culture and the American Reception of Tinariwen
Unpopular Culture and the American Reception of Tinariwen
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Unpopular Culture and the American Reception of Tinariwen

Luthe, Martin ; Pohlmann, Sascha Sascha Pöhlmann ; Martin Lüthe

Unpopular Culture, 2016, p.229-240

The Netherlands: Amsterdam University Press

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3
Luka Sorgo – a Nobleman and Composer from Dubrovnik
Luka Sorgo – a Nobleman and Composer from Dubrovnik
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Luka Sorgo – a Nobleman and Composer from Dubrovnik

Vjera Katalinić Berthold Over ; Gesa zur Nieden ; Over, Berthold ; Nieden, Gesa zur

Musicians' Mobilities and Music Migrations in Early Modern Europe, 2016, Vol.33, p.171-184

Bielefeld: transcript Verlag

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4
From “Sonate a quattro” to “Concertos in Seven Parts”: The Acclimatization of Two Compositions by Francesco Scarlatti
From “Sonate a quattro” to “Concertos in Seven Parts”: The Acclimatization of Two Compositions by Francesco Scarlatti
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From “Sonate a quattro” to “Concertos in Seven Parts”: The Acclimatization of Two Compositions by Francesco Scarlatti

Talbot, Michael Berthold Over ; Gesa zur Nieden ; Over, Berthold ; Nieden, Gesa zur

Musicians' Mobilities and Music Migrations in Early Modern Europe, 2016, Vol.33, p.311-322

Bielefeld: transcript Verlag

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5
From Colonial Modernity to Global Identity: The Shanghai Municipal Orchestra
From Colonial Modernity to Global Identity: The Shanghai Municipal Orchestra
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From Colonial Modernity to Global Identity: The Shanghai Municipal Orchestra

Hon-Lun Yang Michael Saffle ; Hon-Lun Yang

China and the West, 2017, p.49

University of Michigan Press

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6
Migratory and Traveling Musicians at the Polish Royal Courts in the 17th Century: The Case of Kaspar Förster the Younger
Migratory and Traveling Musicians at the Polish Royal Courts in the 17th Century: The Case of Kaspar Förster the Younger
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Migratory and Traveling Musicians at the Polish Royal Courts in the 17th Century: The Case of Kaspar Förster the Younger

Barbara Przybyszewska-Jarmińska Berthold Over ; Gesa zur Nieden ; Over, Berthold ; Nieden, Gesa zur

Musicians' Mobilities and Music Migrations in Early Modern Europe, 2016, Vol.33, p.135-150

Bielefeld: transcript Verlag

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7
The Expanding Instrumentarium
The Expanding Instrumentarium
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The Expanding Instrumentarium

Thomas Patteson

Instruments for New Music, 2015, p.152

University of California Press

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8
Problems of Art: Expression and Movement in Sculpture
Problems of Art: Expression and Movement in Sculpture
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Problems of Art: Expression and Movement in Sculpture

Ricci, Corrado Francesco Casetti ; Silvio Alovisio ; Luca Mazzei ; Casetti, Francesco ; Mazzei, Luca ; Alovisio, Silvio

Early Film Theories in Italy 1896-1922, 2017, p.318-320

Amsterdam: Amsterdam University Press

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9
Estienne Roger’s Foreign Composers
Estienne Roger’s Foreign Composers
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Estienne Roger’s Foreign Composers

Rasch, Rudolf Berthold Over ; Gesa zur Nieden ; Over, Berthold ; Nieden, Gesa zur

Musicians' Mobilities and Music Migrations in Early Modern Europe, 2016, Vol.33, p.295-310

Bielefeld: transcript Verlag

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10
The Late 1860s and Wagner’s L’Olandese dannato (1870)
The Late 1860s and Wagner’s L’Olandese dannato (1870)
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The Late 1860s and Wagner’s L’Olandese dannato (1870)

Zicari, Massimo

Verdi in Victorian London, 2016, p.233

United Kingdom: Open Book Publishers

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