Idioma:

Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery

Vickery, Lindsay ; Devenish, Louise ; James, Stuart ; Hope, Cat

Contemporary music review, 2017-03, Vol.36 (1-2), p.15-35 [Periódico revisado por pares]

Texto completo disponível

Citações Citado por

Título:
Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery
Autor: Vickery, Lindsay ; Devenish, Louise ; James, Stuart ; Hope, Cat
Assuntos: 21st century ; Case studies ; Composers ; Gestural Notation ; Hope, Cat ; Improvisation ; James, Stuart ; Musical Co-ordination ; Musical composition ; Notation ; Percussion ; Percussion music ; Screen Score ; Tablature ; Vickery, Lindsay
É parte de: Contemporary music review, 2017-03, Vol.36 (1-2), p.15-35
Descrição: This paper discusses the percussion notation of Western Australian composers Lindsay Vickery, Stuart James and Cat Hope. Both the compositional and performative aspects of their notational conventions are considered in the diverse approaches they take to the specification of timbre, improvisation, and ensemble coordination. The design and interpretation of screen-based technologies, tablature gestural approaches and spectrographic notation is explored using Lindsay Vickery's The Miracle of the Rose (2015) InterXection (2002) and Lyrebird (2014), Cat Hope's Broken Approach (2014), Sub Aerial (2015), and Tone Being (2016) and Stuart James' Kinabuhi | Kamatayon (2015) as case studies.
Editor: Abingdon: Routledge
Idioma: Inglês

Voltar para lista de resultados