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Temporality
Jewusiak, Jacob
Victorian literature and culture, 2018, Vol.46 (3-4), p.909-913
[Periódico revisado por pares]
New York, USA: Cambridge University Press
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Título:
Temporality
Autor:
Jewusiak, Jacob
Assuntos:
"God's Grandeur"
;
"I Look into My Glass"
;
1800-1899
;
Apologies
;
Criticism
;
Critics
;
English literature
;
Gallagher, Catherine
;
Hardy, Thomas
;
Hardy, Thomas (1840-1928)
;
Historicism
;
Hopkins, Gerard Manley
;
Hopkins, Gerard Manley (1844-1889)
;
Keywords for Victorian Literature and Culture
;
Modernity
;
Plot (Narrative)
;
Poetry
;
temporality
;
Time
;
Titles
;
Victorian period
É parte de:
Victorian literature and culture, 2018, Vol.46 (3-4), p.909-913
Descrição:
Following Caroline Levine's influential book Forms and Sandra Macpherson's call to imagine “a genuinely formalist critical practice … that would turn one away from history without shame or apology,” a series of recent books in Victorian criticism have featured “form” in their titles.4 In what follows, I argue that the turn away from history to form often privileges spatial arrangements, such as structural patterns (Levine) or description (surface reading), over time's passage. While critics such as Catherine Gallagher and Pearl Brilmyer have recently called for injecting formalism with new temporal possibilities, they stop short of providing concrete models for what this might look like.5 Hopkins's “God's Grandeur” provides one possible model by setting duration and the moment alongside the finite and the infinite as a way of expanding the dimensions of temporal experience. Many of the most influential pieces in Victorian studies focus upon institutional or domestic spaces—such as the prison, the workhouse, the factory, or the home—and even studies of time in the nineteenth century often examine the way clocks and trains reconfigure social spaces.
Editor:
New York, USA: Cambridge University Press
Idioma:
Inglês
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