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Performing the Open: Actors, Animals, Philosophers

Puchner, Martin

TDR : Drama review, 2007-03, Vol.51 (1), p.21-32 [Periódico revisado por pares]

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Título:
Performing the Open: Actors, Animals, Philosophers
Autor: Puchner, Martin
Assuntos: "A Report to an Academy ; "Ein Bericht für eine Akademie" ; 1900-1999 ; Acte sans paroles ; Agamben, Giorgio ; Analysis ; Animal rights ; Animals ; Animals and Performance ; Animals in the performing arts ; Anthropology ; Anthropomorphism ; Beckett, Samuel ; Coetzee, J. M ; drama ; Elizabeth Costello ; English language literature ; Human rights ; Human-animal relationships ; Humans ; Irish literature ; Kafka, Franz ; Mimesis ; novel ; Performance art ; Philosophy ; Platonism ; Poetry ; Portrayals ; South African literature ; Theater ; Theater criticism ; Theory
É parte de: TDR : Drama review, 2007-03, Vol.51 (1), p.21-32
Notas: Spring, 2007
ObjectType-Article-2
SourceType-Scholarly Journals-1
ObjectType-Feature-1
content type line 23
Descrição: Three scenes of performance, corresponding to a parallel effort by Giorgio Agamben in his critique of the "anthropological machine," suggest a strategy of "negative mimesis" to counter the stubborn anthropocentrism of the Western philosophical tradition.
Editor: 238 Main St., Suite 500, Cambridge, MA 02142-1046, USA: MIT Press
Idioma: Inglês

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