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Visual and aural intellectual histories: an introduction

Milam, Jennifer ; Maddox, Alan

Intellectual history review, 2017-07, Vol.27 (3), p.285-298 [Periódico revisado por pares]

Abingdon: Routledge

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  • Título:
    Visual and aural intellectual histories: an introduction
  • Autor: Milam, Jennifer ; Maddox, Alan
  • Assuntos: Annabel Brett ; Arts ; aural history of ideas ; Christopher Small ; Intellectual history ; intellectual history of art ; intellectual history of music ; Intellectuals ; Michael Baxandall ; Michael Biddiss ; Music ; musicking ; Quentin Skinner ; visual history of ideas
  • É parte de: Intellectual history review, 2017-07, Vol.27 (3), p.285-298
  • Notas: ObjectType-Article-1
    SourceType-Scholarly Journals-1
    ObjectType-Feature-2
    content type line 23
  • Descrição: If the subject matter of intellectual history is the study of past thoughts, the intellectual history of the visual arts and music may be characterised as the study of past thoughts as they were expressed visually and aurally. Yet this is not always how an intellectual history of art and music has been practiced. More attention is often paid to verbal texts about art or music, rather than to the visual or the aural per se. If we accept that ideas can have visual and aural, as much as verbal form, then the histories of art and music are significant repositories of thoughts of individuals and networks of individuals (creative artists, patrons, institutions) within a given culture and period. But the ways in which those thoughts are articulated as aural or visual "texts", and the ways in which they can be accessed by those who seek to understand them, will be specific to each art form, and represent a distinctive kind of intellectual activity in each field.
  • Editor: Abingdon: Routledge
  • Idioma: Inglês
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  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

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