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FROM MARXISM TO EXISTENTIALISM: THE CREATIVITY OF RICHARD WRIGHT IN 1940-50s, IN THE CONTEXT OF INFLUENCE OF JEAN-PAUL SARTRE AND ALBERT CAMUS

Egorova, Elena G.

Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta. Serii͡a︡ "Russkai͡a︡ filologii͡a︡", 2017-10 (4), p.76-86 [Periódico revisado por pares]

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Título:
FROM MARXISM TO EXISTENTIALISM: THE CREATIVITY OF RICHARD WRIGHT IN 1940-50s, IN THE CONTEXT OF INFLUENCE OF JEAN-PAUL SARTRE AND ALBERT CAMUS
Autor: Egorova, Elena G.
É parte de: Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta. Serii͡a︡ "Russkai͡a︡ filologii͡a︡", 2017-10 (4), p.76-86
Descrição: The article explores the evolution of Richard Wright’s worldview and his creative manner during the period of his ideological shift from Communism to existentialism, prompted by his contacts with Jean-Paul Sartre and Albert Camus, their work and philosophical views. The author reveals the peculiar features of the genesis of existentialism in African-American literature, emerging from the “protest novel”; in this connection, R. Wright’s novel “Native Son” (1940) has been analysed as the work transitional from his social prose to the philosophical existential prose of 1940-1950s. Special attention has been given to the creative history of R. Wright’s novel “The Outsider” (1953) with a focus on its interconnections with “L’Ėtranger” by A. Camus.
Editor: Moscow Region State University Editorial Office
Idioma: Russo

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