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Wagner and Schoenberg in the New World: The Legacy of German Musical Romanticism in Los pasos perdidos

Park, Paula C.

Hispanic review, 2017-07, Vol.85 (3), p.271-293 [Periódico revisado por pares]

Philadelphia: University of Pennsylvania Press

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Título:
Wagner and Schoenberg in the New World: The Legacy of German Musical Romanticism in Los pasos perdidos
Autor: Park, Paula C.
Assuntos: 1800-1899 ; 1813-1883 ; 1874-1951 ; 1900-1999 ; Aesthetics ; Carpentier, Alejo ; Carpentier, Alejo (1904-1980) ; Chronicles ; Composers ; Crítica literaria ; Crónicas ; Cuban literature ; Ensayo ; Essay ; Essays ; Expeditions ; German literature ; German romanticism ; Historical characters ; Influence ; Literary characters ; Literary criticism ; Literatura cubana ; Los pasos perdidos ; Magical realism ; Music ; Music and literature ; Musicology ; Música y literatura ; Narratives ; Naturaleza ; Nature ; Nietzsche, Friedrich (1844-1900) ; Nietzsche, Friedrich Wilhelm ; Novel ; Novela ; Novels ; Personajes históricos ; Philosophy ; prose ; protagonist ; Romanticismo alemán ; Schoenberg, Arnold ; Schönberg, Arnold ; The Lost Steps ; Traditions ; Travel ; Viaje ; Visual artists ; Wagner, Richard ; Wagner, Richard (1813-1883)
É parte de: Hispanic review, 2017-07, Vol.85 (3), p.271-293
Descrição: Alejo Carpentier’s voyages to the Amazon in 1947 and 1948 gave him plenty of inspiration to write his novel Los pasos perdidos. However, the premise of the novel (the “problems” of the Latin American composer) predates these Amazonian expeditions. By examining the novel alongside several essays and crónicas, in this article I present Carpentier’s hope for the Latin American artist’s ability to create freely: disengaged from the pressure of having to either conform to European traditions or fully embrace Latin America’s myths and natural landscape. In doing so, I analyze Carpentier’s complex views towards Richard Wagner, which are informed by Nietzsche, and I ultimately propose that for Carpentier, the model for Latin American composers is Arnold Schoenberg, despite the disinterest expressed towards his compositional techniques by the unnamed protagonist in Los pasos perdidos.
Editor: Philadelphia: University of Pennsylvania Press
Idioma: Inglês

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Wagner and Schoenberg in the New World: The Legacy of German Musical Romanticism in Los pasos perdidos

Park, Paula C.

Philadelphia: University of Pennsylvania Press

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