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Dogdom: Nonhuman Others and the Othered Self in Kafka, Beckett, and Auster
Anderton, Joseph
Twentieth century literature, 2016-09, Vol.62 (3), p.271-288
[Periódico revisado por pares]
Durham: Duke University Press
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Título:
Dogdom: Nonhuman Others and the Othered Self in Kafka, Beckett, and Auster
Autor:
Anderton, Joseph
Assuntos:
"Forschungen eines Hundes"
;
"Investigations of a Dog"
;
1900-1999
;
American literature
;
Analysis
;
animal-human relations
;
Animals
;
Animals in literature
;
Anthropomorphism
;
Auster, Paul
;
Authors
;
Beckett, Samuel
;
Beckett, Samuel (1906-1989)
;
British & Irish literature
;
Critical Theory
;
Criticism and interpretation
;
Czech literature
;
Derrida, Jacques
;
dog
;
Dogs
;
English Literature
;
Essays
;
fiction
;
French literature
;
German literature
;
Human-animal relationships
;
Human/Animal
;
Irish literature
;
Jewish literature
;
Kafka, Beckett, Auster, Franz, --., Samuel, --., Paul
;
Kafka, Franz
;
Kafka, Franz, 1883-1924
;
Language
;
Literary Theory
;
Literature and Literary Studies
;
Modernism
;
Molloy
;
Molloy, Malone Dies, The Unnamable (Molloy, Malone Meurt, L'Innommable)
;
Narratives
;
novel
;
Person
;
Portrayals
;
Reading
;
Stein, Gertrude (1874-1946)
;
the self
;
Theory and Philosophy
;
Timbuktu
;
Twentieth Century
;
Works
;
Writers
;
Writing
É parte de:
Twentieth century literature, 2016-09, Vol.62 (3), p.271-288
Descrição:
Focusing on Franz Kafka’s “Investigations of a Dog” (1922), Samuel Beckett’s (1955), and Paul Auster’s (1999), this essay reflects on how these works represent the fundamental unknowability of animal perspectives while at the same time suggesting how dogs and humans still remain close. I make the claim that, as with speaking in place of another, speaking for oneself also entails the production of an other, and that these efforts to read and give voices to dogs point toward the rupture of the self-reflective human subject. In featuring their failed attempts to write canines, these works succeed in writing the human ignorance of nonhuman animal worlds, but they also expose the fissure within human autobiography itself.
Editor:
Durham: Duke University Press
Idioma:
Inglês
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