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The books that shaped art history from Gombrich and Greenberg to Alpers and Krauss

Richard Shone; John-Paul Stonard 1973-

London New York Thames & Hudson 2014

Localização: MAC - Museu de Arte Contemporânea    (709 B724 )(Acessar)

  • Título:
    The books that shaped art history from Gombrich and Greenberg to Alpers and Krauss
  • Autor: Richard Shone; John-Paul Stonard 1973-
  • Assuntos: Art -- Historiography; Art -- History; Art historians -- Biography; HISTORIOGRAFIA; HISTÓRIA DA ARTE; LIVRO DE ARTE
  • Notas: Includes bibliographical references (p. [216]-257) and index
  • Descrição: L'art religieux du XIIIe siècle en France: étude sur l'iconographie du Moyen Age et sur ses sources d'inspiration, The drawings of the Florentine painters classified, criticised and studied as documents in the history and appreciation of Tuscan art, with a copious catalogue raisonné, Kunstgeschichtliche Grundbegriffe: das Problem der Stilentwicklung in der neueren Kunst, Cézanne: a study of his development, Pioneers of the Modern movement from William Morris to Walter Gropius, Matisse: his art and his public, Early Netherlandish painting: its origins and character, The nude: a study of ideal art, Art and illusion: a study in the psychology of pictorial representation, Art and culture: critical essays, Patrons and painters: a study in the relations between Italian art and society in the age of the baroque, Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style, Image of the people: Gustave Courbet and the 1848 revolution, The art of describing: Dutch art in the seventeenth century, The originality of the avant garde and other Modernist myths, Bild und Kult: eine Geschichte des Bildes vor dem Zeitalter der Kunst,
    "Which were the books that shaped art history as it developed in the twentieth century? This pioneering volume is a concise and brilliant study of the discipline of Art History and an invaluable resource for students, teachers, bibliophiles and all those interested in visual culture. It provides an invaluable roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter, focusing on a single title, is written by a leading art historian, curator or one of the promising scholars of today, presenting a varied and invaluable overview of the history of art, told through its seminal texts. The sixteen books include Nikolaus Pevsner's gospel of Modernism, Pioneers of the Modern Movement, Alfred Barr's now legendary monograph on Matisse, E.H. Gombrich's Art and Illusion, Clement Greenberg's Art and Culture, which had a seismic impact when it was published in 1961, and Rosalind Krauss's The Originality of the Avant-Garde and Other Modernist Myths, which introduced structuralist and poststructuralist thinking into art historical study. Each chapter - with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi - analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy. An introduction by John-Paul Stonard explores how art history has been forged by these outstanding contributions, as well as by the dialogues and ruptures between them. Supplementary documentation summarises the achievements of each art historian and provides a detailed publication history of their texts, with suggestions for further reading." -- Publisher's description
  • Editor: London New York Thames & Hudson
  • Data de criação/publicação: 2014
  • Formato: 264 p ill., ports 25 cm.
  • Idioma: Inglês
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  • Realização: ABCD-USP USP   Logos de Redes Sociais: Freepik

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